ALBUMS OF THE YEAR 2003
compiled from the critics' choices in the following publications: Uncut, Q, Mojo, the NME, The Face and Word
1
Speakerboxxx/The Love Below
OutKast
2
Elephant
The White Stripes
3
Hail to the Thief
Radiohead
4
Boy in da Corner
Dizzee Rascal
5
Room on Fire
The Strokes
6
Fever to Tell
The Yeah Yeah Yeahs
7
Youth & Young Manhood
Kings of Leon
8
Think Tank
Blur
9
It Still Moves
My Morning Jacket
10
Phantom Power
Super Furry Animals

11
Echoes
The Rapture
12
Rounds
Four Tet
13
Get Rich Or Die Trying
50 Cent
14
De-Loused in the Comatorium
The Mars Volta
15
Baby I’m Bored
Evan Dando
16=
Kish Kash
Basement Jaxx
16=
Want One
Rufus Wainwright
18
Magic and Medicine
The Coral
19
So Much For The City
The Thrills
20
Cast of Thousands
Elbow
21
Permission to Land
The Darkness
22
The Decline of…
British Sea Power
23
Absolution
Muse
24=
Coral Feng
The Distillers
24=
Lovers
The Sleepy Jackson
26
Stumble Into Grace
Emmylou Harris
27
Make Up The Breakdown
Hot Hot Heat
28
Cuckooland
Robert Wyatt
29
Dear Catastrophe Waitress
Belle & Sebastian
30
You Are Free
Cat Power
NOTES:
These charts started in 1990, and this is the first year in which an American hip-hop act has come out on top; it's also the first time a double-CD has won. Even more impressively, OutKast did it despite being up against The White Stripes, a genuine Great White Hope at the peak of their form.
Otherwise, there were a decent number of new bands from both Britain and the States up against the old favourites in the shape of Radiohead, Blur, Super Furry Animals and The Strokes (already old favourites). Evan Dando re-emerged from the ruins of Lemonheads, and Robert Wyatt made a perhaps surprising debut appearance here. The year's most talked about band, The Darkness, didn't convince everyone, and the year's most talked about singer, Justin Timberlake, missed the cut.
Two recently deceased icons, Joe Strummer and Johnny Cash, also just failed to make the top thirty, bubbling under with Jane's Addiction, Spiritualized and Nick Cave.
Finally, we must note the passing of Suede, the first act to have been the Hit Parade nomination for album of the year on two occasions, but whose last album A New Morning failed to make these charts and who split up this year.
And finally finally, the ostracization of Luke Haines continues: he releases the unbelievably wonderful Das Kapital and not a single vote comes in from the critics. Quite extraordinary.