Introduction
The cast
Oral histories
Cuttings
Links
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'THERE
WERE NO BLACK PEOPLE IN THE STUDIO' - The Drifters at Bell Records
Johnny Moore:
Atlantic went a different route, with
The Young Rascals and Aretha Franklin and people like that. We
still being the top pop artists, they bypassed us, went to a more
soulful thing. They more or less dropped us, I guess. I feel kinda
bad about that, because I got a special feeling for Atlantic,
you know, cos they were the formative years: I did my first recording
for them in 1955. But Bell came along just in the nick of time
to save our careers.
I think Roger [Greenaway] was a Drifters fan. He wrote things
for us, and he was spot on. It was a hands-on thing. They were
like sequels to the songs we did back in the 60s. I think he thought
we'll go back and re-do Drifters titles with a different beat,
whatever, let's keep it The Drifters thing.
Roger was the man who was close to us. Sometimes we'd be on the
road touring, and Roger would make a tape, send it to the hotel
where we were staying. I would learn the lead, he would drive
me down to the studio, record it and go back to the venue. All
in one day. No more than three, four takes.
Mike Moran:
I did all those Drifters records and never saw them.
Chris Spedding:
I remember that the things I did with The Drifters - which I later
recognized because they became big hits - it was just Roger Greenaway
in the studio. I know there weren't any Drifters there, because
there were no black people in the studio.
Tony Burrows:
I was a Drifter. Roger Greenaway only
used to let Johnny Moore sing on the records - the others took
too long in the studio, so I used to sing on them.
Chris Spedding:
I know some of those sessions from The Drifters ended up being
Fortunes records.
Mike Moran:
Guys like Cook and Greenaway wrote about a million songs a week.
They'd say, 'Oh it's a song for The Drifters,' and they might
cut the track and think, 'It's a bit bloody good for The Drifters,
maybe it'll do for ...' You could often do a song which you thought
was for somebody and it'd turn up being recorded by somebody else.
these words were brought to you by
Tony Burrows
Johnny Moore
Mike Moran
Chris Spedding
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Gary Glitter
Top of the Pops
'The Funky Gibbon'
Fuck the critics
New Seekers
Gerry Shury
New Faces
'Rock On'
Punk
The Sweet
Pseudo-Kenny
Sparks vs Rubettes
'Under the Moon of Love'
Generation X
Biddu's roster
Crisis, what crisis?
Glam fashion
Rock indulgence
The Drifters
The Real Thing
Bay City Rollers
'I Love To Love'
SODS
The death of Arnold
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